The real key here is to get both DAWs to sync, and then recording and playback of all tracks recorded while in sync will be able to play back in sync. You’ll even be able to record one or more tracks to both devices simultaneously, if you’d want to do that for some reason.
#Vienna ensemble pro mtc software#
If you’re able to sync one of your software DAWs with your ReD32, then yes, you’ll be able to record some tracks to your software DAW and others to the ReD32. Would I then be able to playback both recorded tracks in complete sync. Both signals get recorded onto their respective tracks / devices. And, another signal coming in to channel 2 but routed to my external DAW via TDIF. What if I had one signal coming into channel 1 of the DM routed to let's say Logic or Cubase via Fire Wire output slot. And this is a simplified example / experiment: Maybe I wasn't explaining myself probably or I just simply do not posses the knowledge or expertise to pull this off.Īs I was sitting at my DM and went into the routing section I wondered. Additional track count is really not my objective. It's been a while and my memory has failed me. I recently constructed the TDIF cables required to bring my external DAW back to life.
(taken from Sound On Sound magazine article) This would allow APP-compatible applications such as Cubase and Nuendo to lock to the Soundscape Editor with sample accuracy without any MIDI connection.
!AhR1BK4D!qkuTr4_UV6SDhXMTuvDgX54ihtmCbwCP6JBhApOXEo8Īnd, you are probably right this is almost certainly done via MTC. Actually, I know that there is a way to stream Cubase tracks for example into my external DAW as mentioned on page 12 of the Soundscape users manual. I noticed that your equipment list includes mention of a JL Cooper CS-102 - I don't know that product and didn't look it up to see if it's a synching device, but perhaps it has some capability to assist in your Thank you so much for response. It was often problematic, but sometimes worked properly. I used a device by JL Cooper to sync SMPTE on PARIS with MIDI to sync my synthesizers. I’ve just never explored this issue before with Word clock.īefore I came to Pro Tools, I used a DAW named “PARIS” that I really liked. Just had one more thought: I normally think of Word clock as a way to synchronize samples, but some quick research online got me to the company Sound Devices which discusses using Word to sync multiple records – perhaps there’s a solution there for you.
#Vienna ensemble pro mtc code#
You’d stripe a track on each recorder with SMPTE Time Code and use those tracks to keep the recorders synchronized. Years ago, such techniques were used to sync multiple tape recorders to add additional tracks. But ignoring that and presuming that you do, or that you have some other reason to do it, the first thing I would try is to see if there’s some way to use something like MTC (MIDI Time Code), SMPTE Time Code, or some such to synchronize your Soundscape ReD32 with your main DAW (Cubase?). The first question I would ask myself is whether or not I truly need to be able to record 56 channels simultaneously. Hey Peter, that’s an interesting question! That said, I personally have no idea if we could make that work.
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